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The Tomoloju story is significantly the pioneering story of the modern practice in Nigeria. As a culture activist and dramatist, Tomoloju has participated in various capacities in the evolution of national programme on culture, such as Management of the National Arts Theatre, the National Cultural Policy, the National Troupe of Nigeria and Copyright Implementation. It was thus fitting tribute that in celebrating his Fifties birthday inlate , his media colleagues also find inspiration for a serious evaluation of the practice he gave his name”. Most significantly, through the developmental journalistic practice of the BEN TOMOLOJU School, thepower of compilation, dissemination and articulation of strategic information in the relevant in the fields of the literary, performing and visual Arts, as well as culture administration demonstrates to Nigerians,the relevance, vitality and viability of culture in the national scheme of things. He was his own reporter,sub-editor, typist and line-editor. So much that some of thedistinguished editors and writers in various Nigerian newspapers today are product of the old “one man artsdesk”.

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And, for Ben Tomoloju, it was great fulfillment of a responsibility he feels he naturally owes members of the younger generation; that they must progress.

Inhis adaptation of Goethe’s “Iphigenia in Tauris”, tittled “Iphigenia finds Aiyelala” was produced by Goethe Institut to emphasize the essence ofpeace.

It was thus fitting tribute that in celebrating his Fifties birthday inlatehis media colleagues also find inspiration for a serious evaluation of the practice he gave his name”. The Tomoloju story is significantly the pioneering story of the modern practice in Nigeria. Position, International Arts Review, Vol. Ever since then, Tomoloju moviw remained outstanding as a distinguished directing playwright and culture-promoter.

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In theearly st6ages, his colleague described his desk as”the one-man arts desk”. His play Jankariwo Ital, ,Mujemuje Italy, and Amona Germany, projected the critical poise of Ben Tomoloju against the political and cultural decimation of modern-day Africa, a situation that continually alienates the child, the youth and women in the general scheme jwnkariwo things.

jankariwo movie

In while serving as consultant to Goethe Institut’s Afrika Projekt”. He has a musical album, Song for Nigeria to his credit.

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Most significantly, through the developmental journalistic practice of the BEN TOMOLOJU School, thepower of compilation, dissemination and articulation of strategic information in the relevant in the fields of the literary, performing and visual Arts, as well as culture administration demonstrates to Nigerians,the relevance, vitality and viability of culture in the national jabkariwo of things. There after, he returned to Lagos. He led a Nigerian troupe to Ghana and the Ivory Coast in with a Germa-Susan Amatosero’s – play Asylante, a dramatic expose on young Africans seeking asylum abroad.

He effectively combines his career as a dramatist with that mivie a pace-setting arts journalist.

He took upa full time job as a teacher and part-time job as the Arts Editor of Weekly Focus. He proceeded to the University of Ibadan and graduatedwith a moviw in English and Literary Studies in In both cases his motive-force is humanism, especially one that protests against man’s inhumanity to man acrossage-groups, sexes, races and creeds. For those young acts,Italycourtesy Wole Soyinka, was a huge morale booster.

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jankariwo movie

His role in the development of journalism in Nigeria move shows the masonry of a visionary intent upon building a viable legacy for future generations of professional’s arts journalists. Within the last seven yearsTomoluju hasremained consistent in productivity and relevance to the advancement of the Nigerian culture.

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As a culture activist and dramatist, Tomoloju has participated in various capacities in the evolution of national programme on culture, such as Management of the National Arts Theatre, the National Cultural Policy, the National Troupe of Nigeria and Copyright Implementation. A good number of them later developed to be the leading lights of Nigerian theatre, movie, soap and comedy at home and abroad.

jankariwo movie

So much that some of thedistinguished editors and writers in various Nigerian newspapers today are product of the old “one man artsdesk”. He was his own reporter,sub-editor, typist and line-editor.

The play highlighted the plights of the child-solder, children, women, the aged and disabled in Africa’s horrendous theatres of war. More copiously, his plays, published and unpublished, celebrate the rites and rights of posterity with “the child” at the centre of theirphilosophical articulation. His advent also created job opportunities for scoresof young graduates of the humanities as virtually allprint janoariwo electronic media created Arts Desks afterthe success of The Guardian.